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Authority record
CGSA-AC0099 · Corporate body · 1939 - 1951

The Wartime Prices and Trade Board is a former Canadian government agency, established on September 3, 1939, by the Mackenzie King government, under the authority of the War Measures Act, in the Department of Labour responsible for price controls and inflation control. The board was abolished in 1951, upon the lapse of the Continuation of Transitional Measures Act, 1947.

Theberge, John B., 1940-
S099 · Person · 1940 -

John Theberge (1940- ) was a professor and researcher in the Faculty of Environmental Studies, University of Waterloo, from 1972 until his retirement in 2000. Theberge received his BSc from the University of Guelph, MSc from the University of Toronto, and PhD from the University of British Columbia. John Theberge's career focused on his wolf research, pioneering a technique using vocal patterns to identify wolves. John Theberge and his co-researcher and wife Mary Theberge became Canada's premier timber wolf research team, receiving international recognition for their field research. In 1993, Equinox magazine proclaimed John and Mary Theberge "Environmentalist of the Year". In 1998 they were presented with the Harkin Medal from Canadian Parks and Wilderness Services.

AGOAC00360 · Person · 1887 - 1947

The Tovell family of Toronto, in particular Harold Murchison Tovell (1887-1947), Ruth Massey Tovell (1889-1961) and their son Vincent Massey Tovell (b. 1922), was active in art circles in Toronto for several decades following the First World War. Harold Tovell and Ruth Massey married in 1910 and in 1913-1914 travelled in Europe, visiting the major art galleries. Returning to Toronto, they lived on the eastern edge of the city in Dentonia Park, the Massey estate, until 1936 when they moved to the city centre. The Tovells built a collection of works by Canadian and European artists. In France in 1926 they met French painter Marcel Duchamp (1887-1968) through their friend American author and artist Walter Pach (1883-1958). In 1928 they purchased a painting by Duchamp’s older half-brother Jacques Villon (1875-1963) at an exhibition in New York. They met Jacques and Gaby Villon in Paris in 1930 and corresponded with them until the 1960s. The Villons befriended Vincent who visited them in France in the years before the Second World War. From 1941 to 1947, the Tovells lived near Port Hope, Ontario. After her husband’s death, Mrs Tovell returned to live in Toronto. Harold and Ruth Tovell had three other sons: Walter (b. 1916), a geologist and Director of the Royal Ontario Museum 1972-1975, Freeman (b. 1918), diplomat and historian, and Harold (1919-2002), a physician. They bequeathed many of their artworks to the Royal Ontario Museum, the National Gallery of Canada and the Art Gallery of Ontario.

Uniroyal Chemical
056 · Corporate body · 1986-1999

In 1986, Uniroyal Chemical Company was formed as a subsidiary of Avery Inc. Then, in 1989, Uniroyal Chemical Company Investors Holding bought Uniroyal Chemical Company from Avery and became Uniroyal Chemical Corporation. In 1996, Uniroyal Chemical Corporation went public and merged with Crompton & Knowles. In 1996, Uniroyal Chemical Corporation went public and merged with Crompton & Knowles. In 1999, Crompton & Knowles merged with Witco to form Crompton Corporation. In 2005, Crompton acquired Great Lakes Chemical Company, Inc., of West Lafayette, Indiana, to form Chemtura Corporation.

AC006 · Corporate body · 1945-

The University of British Columbia's Faculty of Law opened in September 1945. Prior to this, law students in British Columbia articled for three years and attended lectures given by the legal profession at the Vancouver Law School (V.L.S.) operated by the Law Society of British Columbia. After lengthy discussions a joint Law Society/UBC committee was struck in July 1945 to submit recommendations and plans for the establishment of a Faculty of Law. The University's Board of Governors and Senate approved the committee's recommendations late in August. The faculty's original staff consisted of George F. Curtis (professor and dean), Frederick Read and Alfred Watts. The Faculty was housed in converted army huts on campus and would remain there until 1952. Student enrollment increased significantly following World War II. By the early 1950s the Faculty had outgrown its accommodations and Dean Curtis began plans for a permanent Faculty of Law Building. Prime Minister Louis St. Laurent opened the new building in 1952. Curtis was succeeded in 1971 as Dean by Albert J. McClean. The Faculty continued to grow throughout the seventies, again raising the need for a larger building. In 1975 the existing building was remodelled and a new addition constructed. This new structure was completed in 1976 and named the George F. Curtis Building. In 1985 Chinese Legal Studies was added to the East Asian programme through a
joint U.B.C./Peking University exchange of legal scholars and graduate students. That same year also saw the establishment of a Cooperative Project in Law and Computers with IBM Canada.

Vale, Florence
AGOAC0043 · Person · 1909-2003

Florence Vale, Canadian artist, was born on April 18, 1909 in llford, Essex, England and died on July 23, 2003 in Toronto, Ontario, Canada. Her family immigrated to Toronto two years after her birth, where she grew up with an interest in music. She married artist Albert Franck on June 8, 1929, and together they bought a house on Hazelton Avenue in Toronto which became a centre for artists, writers, musicians, and critics. Florence Vale was the mother of two children, Trudy (who died as an infant) and Anneke.
Florence Vale began to paint with her husband’s paints and brushes in the late 1940’s with no previous artistic training – only what she had learned under the influence of her husband and the artists who visited her home. Her art was influenced by Surrealism, Cubism, Expressionism, and the works of Paul Klee. After her husband’s death in 1973, Florence Vale continued to express her artistic ability with oil paints, collages, and ink, also including her own poetry in some of her works. Many of her works, most prominently after the death of her husband, were erotic, while still viewed by critics as keeping a whimsical, innocent tone. Her art appeared in exhibitions throughout Ontario, with exhibitions also in Quebec and New York, U.S.A. She was associated with the Gadatsy Gallery, Toronto.